March 2017 journal page w Diebenkorn's Seated Woman, some Balenciaga spring 17 feet, a pigeon postcard, coaster from a bar, watercolor, ink, and listening to Reverse Dallops !!!
this week in paper
March 2017 journal page w a Matisse obsession, gesso, ink, plastic, fabric, muni ticket, sequins, a just a smidge of Wyeth ❤️💛💜
sitting w/ temptation →
Horst P. Horst, Electric Beauty, 1939
I feel you, girl →
Matisse/Diebenkorn show at SFMOMA is stellar
Richard Diebenkorn, Girl with Flowered Background, 1962
Bonnaud's Solomé →
Pierre Bonnaud, Salome, 1900
Beardsley's Salomé →
fan-fucking-tastic article on art nouveau
Aubrey Beardsley, The Dancer's Reward, 1894
wrinkle crinkle →
Martin Soto Climent, Emma Austen, (Wrinkle Crinkle), 2012–2015
this week in paper
March 2017 journal page w magazine photos, gesso, ink, stickers, and medical marijuana while listening Emil Amos 😻
will it blend?
Practicing blending paper \o/
magazine photos from a 1970 National Geographic & Harper’s Bazaar from last month
the creepiest →
Hans Bellmer, Untitled from La Poupèe (The Doll), 1936
this week in paper
🎉 find beauty in the bullshit
Feb 2017 journal pages w relevant images of Hiroshige's Downpour at Shono, Jean-François Raffaëlli's The Absinth Drinkers, and a bomb-ass Coach bag
yea girl →
Cavalier d'Arpino, Judith with the Head of Holofernes, 1610
spatilalism →
Lucio Fontana, Concetto Spaziale, Attese, 1968
this week in paper
Feb 2017 journal page w a bunch of bullshit collected in Austin, ink, tape, sequins, and STICKERS 🎉
Truth coming from the well armed with her whip to chastise mankind →
Jean-Léon Gérôme, Truth Coming Out of Her Well, 1896
this week in paper
Feb 2017 journal page w vinyl transfer letters, envelop, magazine pics of a broach worn by Madeleine Albright and a Dior tshirt that costs 840-fucking-dollars WHY
today I feel like: →
Ian Davenport, Colourcade Buzz, 2015
"His colours are often feverishly wild and unpredictable. They are faithful to nothing but the vision of Edvard Munch. The more intense the reds, the purples, the yellows, the worse things are going." →
Edvard Munch, The Death of Marat, 1907
at least we aren't Lubbert Das… →
Hieronymus Bosch, The Cure for Folly, 1475–80
overpaint →
Gerhard Richter, 5. Juli 94, 1994