great museum, https://www.mhaadali.com
obligatory stop on a trip to Monterey →
Dalí, The Wine Casks (from Don Quichotte), 1957
The Death of Marat →
This dead Jacobin…
is all I've thought about this week…
threatening tree →
Nick van Woert, It's a trap, 2016
The Threatened Assassin
Rene Magritte, The Threatened Assassin, 1926
this week in paper
March 2017 journal page w Diebenkorn's Seated Woman, some Balenciaga spring 17 feet, a pigeon postcard, coaster from a bar, watercolor, ink, and listening to Reverse Dallops !!!
I feel you, girl →
Matisse/Diebenkorn show at SFMOMA is stellar
Richard Diebenkorn, Girl with Flowered Background, 1962
Bonnaud's Solomé →
Pierre Bonnaud, Salome, 1900
Beardsley's Salomé →
fan-fucking-tastic article on art nouveau
Aubrey Beardsley, The Dancer's Reward, 1894
spatilalism →
Lucio Fontana, Concetto Spaziale, Attese, 1968
"His colours are often feverishly wild and unpredictable. They are faithful to nothing but the vision of Edvard Munch. The more intense the reds, the purples, the yellows, the worse things are going." →
Edvard Munch, The Death of Marat, 1907
at least we aren't Lubbert Das… →
Hieronymus Bosch, The Cure for Folly, 1475–80
Murder
Félix Vallotton, Murder, 1893
Clown fight
Gérôme's paintings are breathtaking IRL. I keep going back to the Walters just to stare at these.
Jean-Léon Gérôme, The Duel After the Masquerade, 1857–1859, The Walters Art Museum, Baltimore