Anni Albers, Necklace, 1940. Drain strainer and paper clips.
paint + textile →
Double-click to edit...
Robert Rauschenberg, Bed, 1955. Combine: oil and pencil on pillow, quilt, and sheet, mounted on wood support.
pushing the photo
Double-click to edit...
Andreas Gursky, Bahrain II, 2007
The Threatened Assassin
Double-click to edit...
Rene Magritte, The Threatened Assassin, 1926
🌕🌕🌕 →
Double-click to edit...
Billy Al Bengston, Wendy’s Moon 11, 2013
o bull →
Double-click to edit...
Salvador Dalí, Bullfight I, 1966–67
Dalí Vogue cover! 😻
Double-click to edit...
sitting w/ temptation →
Double-click to edit...
Horst P. Horst, Electric Beauty, 1939
I feel you, girl →
Matisse/Diebenkorn show at SFMOMA is stellar
Richard Diebenkorn, Girl with Flowered Background, 1962
Bonnaud's Solomé →
Pierre Bonnaud, Salome, 1900
Beardsley's Salomé →
fan-fucking-tastic article on art nouveau
Aubrey Beardsley, The Dancer's Reward, 1894
wrinkle crinkle →
Double-click to edit...
Martin Soto Climent, Emma Austen, (Wrinkle Crinkle), 2012–2015
the creepiest →
Hans Bellmer, Untitled from La Poupèe (The Doll), 1936
yea girl →
Double-click to edit...
Cavalier d'Arpino, Judith with the Head of Holofernes, 1610
spatilalism →
Double-click to edit...
Lucio Fontana, Concetto Spaziale, Attese, 1968
Truth coming from the well armed with her whip to chastise mankind →
Jean-Léon Gérôme, Truth Coming Out of Her Well, 1896
today I feel like: →
Double-click to edit...
Ian Davenport, Colourcade Buzz, 2015
"His colours are often feverishly wild and unpredictable. They are faithful to nothing but the vision of Edvard Munch. The more intense the reds, the purples, the yellows, the worse things are going." →
Edvard Munch, The Death of Marat, 1907
at least we aren't Lubbert Das… →
Hieronymus Bosch, The Cure for Folly, 1475–80
overpaint →
Gerhard Richter, 5. Juli 94, 1994